Russell’s local theatre credits include Daphne's Dive at Signature Theatre, Sense and Sensibility, The Skin of Our Teeth, Flyin’ West, Pipeline, Murder on the Orient Express, Aubergine, The Soul Collector, Gem of the Ocean, Blues for an Alabama Sky at Everyman Theatre. A proud member of Stage Directors and Choreographers Society, Reginald was the recipient of the National Theatre Conference's 2020 Emerging Professional Award. He currently serves on the Executive Committee of the Board of Directors of the National New Play Network. Free, Micah Ariel Watson, and several others. Love, Brent Askari, Nick Malakhow, Herb Newsome, Craig “muMs” Grant, Korde Arrington Tuttle, a.k. payne, Jessica Dickey, Laura Brienza, Kevin R. Reginald has developed and directed plays and musicals by Dominique Morisseau, Cori Thomas, Angelica Chéri, Lynn Nottage, Nikkole Salter, Dael Orlandersmith, Kemp Powers, Jen Silverman, Ngozi Anyanwu, Brian Quijada, Matt Schatz, Amy Evans, Zakiyyah Alexander, Imani Uzuri, Dave Harris, Francisca Da Silveira, Khalil Kain, Chisa Hutchinson, Tearrance Arvelle Chisholm, Josh Wilder, Larry Powell, Kareem Fahmy, Harrison David Rivers, Donja R. He has directed work at the Eugene O’Neill Center, TheaterWorks Hartford, Contemporary American Theater Festival, Everyman Theatre, Weston Playhouse, La Jolla Playhouse, Audible, Bard at the Gate, Profile Theatre, Playwrights Realm, The Kennedy Center, Pittsburgh CLO, Arizona Theatre Company, Barrington Stage Company, Ford’s Theatre, Cape Cod Theatre Project, Negro Ensemble Company, TheatreSquared, Playwrights’ Center, Capital Repertory Theatre, McCarter Theatre, Florida Rep, wild project, Signature Center, Drama League, The Lark (where he was the Van Lier Directing Fellow), New York Theatre Workshop (where he was an inaugural 2050 Directing Fellow), and City Theatre Company in Pittsburgh, where he served as the Artistic Producer from 2015-2020. Douglas is a director and producer dedicated to creating new work and supporting new voices. He was recently named the Artistic Director of Mosaic Theater Company in Washington DC, following two years of service as the Associate Artistic Director of Studio Theatre. In her spare time, she writes songs and fronts her band Sula & The Noise. Billie Holiday (2021) and as Showrunner, Executive Producer, and Head Writer for Genius: Aretha (2021). She also works extensively in film and television, most recently as the screenwriter for The United States vs. A MacArthur “Genius” Fellow, her novel Getting Mother’s Body is published by Random House. Her project 365 Days/365 Plays-where she wrote a play a day for an entire year-was produced in over 700 theatres worldwide, creating one of the largest grassroots collaborations in theatre history. Her other works include The Book of Grace, Unchain My Heart: The Ray Charles Musical, In the Blood, The Death of the Last Black Man in the Whole Entire World, The America Play, Father Comes Home From the Wars (parts 1, 2, and 3), and Fucking A. Parks’ adaptation of The Gershwin’s Porgy and Bess won the 2012 Tony Award for Best Revival of a Musical. Suzan-Lori Parks is a multi-award-winning American playwright and the first African American woman to receive the Pulitzer Prize in Drama for her Broadway hit Topdog/Underdog.
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